{"id":129,"date":"2015-03-29T09:30:29","date_gmt":"2015-03-29T08:30:29","guid":{"rendered":"http:\/\/2017.automnemusicalduvesinet.fr\/?p=129"},"modified":"2017-07-11T16:02:16","modified_gmt":"2017-07-11T15:02:16","slug":"programme-du-samedi","status":"publish","type":"post","link":"http:\/\/2017.automnemusicalduvesinet.fr\/?p=129","title":{"rendered":"Samedi 14 octobre \u00e0 20h30"},"content":{"rendered":"

En l’\u00e9glise Sainte-Marguerite<\/strong><\/h2>\n

 <\/p>\n

\u00ab La nuit du piano \u00bb<\/strong>
\n<\/em><\/span><\/p>\n

Pi\u00e8ces br\u00e8ves <\/strong>Michel Benha\u00efem\u00a0, piano<\/span><\/p>\n

La bri\u00e8vet\u00e9 en musique : tout dire en un instant, \u00e0 l\u2019instant.<\/span><\/p>\n

Le \u00ab grand \u00bb Beethoven (Symphonies, Sonates\u2026) est pourtant le pr\u00e9curseur du genre de la pi\u00e8ce br\u00e8ve pour piano, un genre qui deviendra central chez de nombreux\u00a0 compositeurs : parmi eux, Chopin, Debussy, Schoenberg.<\/span><\/p>\n

Pourquoi cette \u00e9volution ? Pourquoi ce d\u00e9sir de faire bref ?<\/span><\/p>\n

A ces questions, c\u2019est la musique elle-m\u00eame qui r\u00e9pondra, et chaque pi\u00e8ce le fera diff\u00e9remment, avec sa beaut\u00e9 propre. Mais sans doute percevra-t-on, dans ces musiques de l\u2019instant, la pr\u00e9sence d\u2019un autre\u00a0 temps musical, un temps marqu\u00e9 par le sentiment d\u2019improvisation, par la libert\u00e9 de ton et de discours, et par la concentration sur l\u2019essentiel.<\/span><\/p>\n

Chopin <\/strong>Olga Kirpicheva<\/span><\/p>\n

Les trois valses sont aussi des pi\u00e8ces br\u00e8ves. D\u2019ailleurs la valse N\u00b01 s\u2019appelle valse \u00ab\u00a0minute\u00a0\u00bb. Et m\u00eame en 2 minutes, la virtuosit\u00e9 est \u00e9tourdissante.\u00a0 La\u00a0 2e<\/sup> sonate de Chopin est au contraire\u00a0 un voyage dans l\u2019\u00e9ternit\u00e9\u00a0 notamment avec sa c\u00e9l\u00e8bre marche fun\u00e8bres du 3e<\/sup> mouvement.<\/span><\/p>\n

\n

LE PROGRAMME<\/strong><\/span><\/p>\n\n\n\n\n\n
PREMI\u00c8RE PARTIE<\/strong><\/span><\/td>\n\u00a0<\/strong><\/td>\nSECONDE PARTIE<\/strong><\/span><\/td>\n<\/tr>\n
Beethoven <\/strong><\/span>
\n Deux Bagatelles\u00a0: op.119 n\u00b010,<\/span>
\n op.126 n\u00b0 5<\/span>
\n Six Bagatelles op.126<\/span>
\n \u00a0<\/span>
\n Debussy<\/strong><\/span>
\n Pr\u00e9ludes (Livre 1)<\/span>
\n Minstrels<\/em><\/span>
\n La fille aux cheveux de lin<\/em><\/span>
\n Ce qu\u2019a vu le vent d\u2019Ouest <\/em><\/span>
\n \u00a0<\/span>
\n Bartok<\/strong><\/span>
\n 6 Danses roumaines<\/span><\/td>\n		\n

pause<\/strong><\/span><\/p>\n<\/td>\n

Chopin<\/strong><\/span><\/p>\n

“Fantaisie” op.49 en fa mineur<\/span><\/p>\n

Trois valses:<\/span><\/p>\n

“Valse minute” op.64 no.1 en Re b\u00e9mol\u00a0 majeur<\/span>
\n “Valse”\u00a0 op.64 no.2 en do diese mineur<\/span>
\n “Grande valse brillante” op.18 en Mi b\u00e9mol majeur<\/span><\/p>\n

“Sonate” no.2 op.35 en Si b\u00e9mol mineur<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

Michel Benha\u00efem,
\n<\/strong>piano<\/em><\/span><\/p>\n<\/td>\n

\u00a0<\/strong><\/td>\n\n

Olga Kirpicheva,
\n<\/strong>piano<\/em><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\n

LES ARTISTES<\/strong><\/span><\/p>\n\n\n\n
\"\"<\/a><\/p>\n

Michel Benhaiem<\/span><\/p>\n<\/td>\n

\"\"<\/a><\/p>\n

Olga Kirpicheva<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

\u00ab La nuit du piano \u00bb<\/strong>
Pi\u00e8ces br\u00e8ves, par Michel Benhaiem et des valses de Chopin par Olga Kirpicheva…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[16,15,9,14,7,8,13],"_links":{"self":[{"href":"http:\/\/2017.automnemusicalduvesinet.fr\/index.php?rest_route=\/wp\/v2\/posts\/129"}],"collection":[{"href":"http:\/\/2017.automnemusicalduvesinet.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/2017.automnemusicalduvesinet.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/2017.automnemusicalduvesinet.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/2017.automnemusicalduvesinet.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=129"}],"version-history":[{"count":46,"href":"http:\/\/2017.automnemusicalduvesinet.fr\/index.php?rest_route=\/wp\/v2\/posts\/129\/revisions"}],"predecessor-version":[{"id":962,"href":"http:\/\/2017.automnemusicalduvesinet.fr\/index.php?rest_route=\/wp\/v2\/posts\/129\/revisions\/962"}],"wp:attachment":[{"href":"http:\/\/2017.automnemusicalduvesinet.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/2017.automnemusicalduvesinet.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=129"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/2017.automnemusicalduvesinet.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}